PY3 & PG36 & PW4 & PW6. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content.
Permanent or “ Victoria” Green was the generic name given by 19th century English Manufacturers to a mid green, slightly bluish in undertones, made from a variety of blends. This paint combines Arylide Yellow and Yellow Shade Phthalo Green to give a very rich, earthy hue in Zinc and Titanium Whites. Much stronger than Terre Verte, it sometimes fulfils the same role in providing reflex tones for portraiture and figure painting.
£25.46 £20.37PR 177 Anthranaquinone. Slow Drying. Transparent. Good Lightfastness. High Linseed Oil Content.
Alizarin Claret has a lighter tone than that of Alizarin Crimson with greater resistance to UV light. Perfect for portraitures, landscapes and non-figurative works due to its versatility and beauty.
£25.46 £20.37PR 83. Slow Drying. Transparent. Good Lightfastness. High Oil Content.
This paints clarity and subtly beautiful bluish undertones are unique, and, since its introduction, portraitists have greatly prized its range of cool, rather smoky hues, so well suited for rendering facial flesh.
Amethyst is one of the newest colours form Michael Harding. It is a mixture of three well known colours ultramarine, quinacridone red and dioxazine violet pigments that produces an incredible hue.
£48.37 £38.69Y40. Average Drying. Transparent. Excellent Lightfastness. Average Oil Content.
A transparent straw-ochre yellow with strange yet rich greenish undertones.