A well-established organic pigment, Naphthol Red HF3S, which can be used transparently or opaquely according to choice. In unmixed state it is a pure and slightly fiery red with high tint power, and a range of yellowy-orange undertones, which become very noticeable in hues, which produce much brighter and warmer pinks than are attainable with the Cadmium Reds. When mixed with Zinc White these can appear almost fluorescent.
£24.00 £18.00PR 177 Anthranaquinone. Slow Drying. Transparent. Good Lightfastness. High Linseed Oil Content.
Alizarin Claret has a lighter tone than that of Alizarin Crimson with greater resistance to UV light. Perfect for portraitures, landscapes and non-figurative works due to its versatility and beauty.
£24.00 £18.00PR 83. Slow Drying. Transparent. Good Lightfastness. High Oil Content.
This paints clarity and subtly beautiful bluish undertones are unique, and, since its introduction, portraitists have greatly prized its range of cool, rather smoky hues, so well suited for rendering facial flesh.
Amethyst is one of the newest colours form Michael Harding. It is a mixture of three well known colours ultramarine, quinacridone red and dioxazine violet pigments that produces an incredible hue.
£45.60 £34.20Y40. Average Drying. Transparent. Excellent Lightfastness. Average Oil Content.
A transparent straw-ochre yellow with strange yet rich greenish undertones.