So named because it was originally derived from the soot of oil lamps, this is pure Carbon, and probably the first pigment our ancestors ever used to decorate their caves. A soft, slightly warm shade of black whose lean surface gives it a greyish aspect. Probably not the best choice for unmixed underpainting on account of its tendency to move whilst drying, but this can be remedied with the addition of good drying Earths.
£25.46 £20.37PR 177 Anthranaquinone. Slow Drying. Transparent. Good Lightfastness. High Linseed Oil Content.
Alizarin Claret has a lighter tone than that of Alizarin Crimson with greater resistance to UV light. Perfect for portraitures, landscapes and non-figurative works due to its versatility and beauty.
£25.46 £20.37PR 83. Slow Drying. Transparent. Good Lightfastness. High Oil Content.
This paints clarity and subtly beautiful bluish undertones are unique, and, since its introduction, portraitists have greatly prized its range of cool, rather smoky hues, so well suited for rendering facial flesh.
Amethyst is one of the newest colours form Michael Harding. It is a mixture of three well known colours ultramarine, quinacridone red and dioxazine violet pigments that produces an incredible hue.
£48.37 £38.69Y40. Average Drying. Transparent. Excellent Lightfastness. Average Oil Content.
A transparent straw-ochre yellow with strange yet rich greenish undertones.