£17.65
Wallace Seymour - Natural Paint System - Gum Tempera - Siderite - Natural Mineral Colour
The raw material for these paints may be either from a historic quarry source, or be a by-product (i.e. not the main activity of the quarry).
For example, some of the ochres are from Britain using reclaimed raw material from the coal mining industry. The raw material has been cleaned, is free of contaminates and thereby recycled. Some raw materials used are effectively ‘waste’ in quarrying terms and normally would go for landfill – and are often used as ‘fill’ for road/rail embankments and other landscaping purposes.
These paints involve the identification of useful colours and careful extraction, washing, sieving, drying of the material.
Bright Orange Ochre and Bright Orange-Yellow Ochre are derivatives of Travertine Marble – the coloured material is washed out of the white marble and then processed into pigment.
Dilute with water only. On drying, the colour is fixed and permanent. Apply to any art paper or gessoed panel.
£17.65
Wallace Seymour - Natural Paint System - Gum Tempera Paint- Glitterings.
Based on a palette found in the studio of portrait painter George Romney (1734-1802). All the pigments used are 100% natural, from plants, earths, minerals.
The pre-mixed tints are named as commonly known to portrait painters in the late 18C. Pre-mixed tints saved time in a portrait sitting. Romney often undertook up to 12 portrait sittings in one day, so careful preparation of these pre-mixed tints (normally the work for a studio assistant) would be essential.
The pigments are carefully milled into a gum emulsion, with natural mineral charges.
Dilute with water only. On drying, the colour is fixed and permanent. Apply to any art paper or gessoed panel.
On drying, the colour is fixed and permanent. Apply to any art paper or gessoed panel.
Part of the Wallace Seymour Natural Paint System Artist's Gum Tempera PaintColours.
£17.65
Wallace Seymour - Natural Paint System - Gum Tempera Paint- Grey
Based on a palette found in the studio of portrait painter George Romney (1734-1802). All the pigments used are 100% natural, from plants, earths, minerals.
The pre-mixed tints are named as commonly known to portrait painters in the late 18C. Pre-mixed tints saved time in a portrait sitting. Romney often undertook up to 12 portrait sittings in one day, so careful preparation of these pre-mixed tints (normally the work for a studio assistant) would be essential.
The pigments are carefully milled into a gum emulsion, with natural mineral charges.
Dilute with water only. On drying, the colour is fixed and permanent. Apply to any art paper or gessoed panel.
On drying, the colour is fixed and permanent. Apply to any art paper or gessoed panel.
Part of the Wallace Seymour Natural Paint System Artist's Gum Tempera PaintColours.
£17.65
Wallace Seymour - Natural Paint System - Gum Tempera Paint- Grey Pale
Based on a palette found in the studio of portrait painter George Romney (1734-1802). All the pigments used are 100% natural, from plants, earths, minerals.
The pre-mixed tints are named as commonly known to portrait painters in the late 18C. Pre-mixed tints saved time in a portrait sitting. Romney often undertook up to 12 portrait sittings in one day, so careful preparation of these pre-mixed tints (normally the work for a studio assistant) would be essential.
The pigments are carefully milled into a gum emulsion, with natural mineral charges.
Dilute with water only. On drying, the colour is fixed and permanent. Apply to any art paper or gessoed panel.
On drying, the colour is fixed and permanent. Apply to any art paper or gessoed panel.
Part of the Wallace Seymour Natural Paint System Artist's Gum Tempera PaintColours.
£17.65
Wallace Seymour - Natural Paint System - Gum Tempera Paint- Cinabrese
Based on a palette found in the studio of portrait painter George Romney (1734-1802). All the pigments used are 100% natural, from plants, earths, minerals.
The pre-mixed tints are named as commonly known to portrait painters in the late 18C. Pre-mixed tints saved time in a portrait sitting. Romney often undertook up to 12 portrait sittings in one day, so careful preparation of these pre-mixed tints (normally the work for a studio assistant) would be essential.
The pigments are carefully milled into a gum emulsion, with natural mineral charges.
Dilute with water only. On drying, the colour is fixed and permanent. Apply to any art paper or gessoed panel.
On drying, the colour is fixed and permanent. Apply to any art paper or gessoed panel.
Part of the Wallace Seymour Natural Paint System Artist's Gum Tempera PaintColours.