PR 106. Average Drying. Very Opaque. Excellent Lightfastness. Very Low Oil Content. TOXIC.
Genuine Chinese Vermilion offers a tawny, even slightly fiery, deep red cannot be reproduced by other substitutes. As far as weight, colorific density and price go, it is in a class of its own. If you wish to explore a deceptively mild range of deep warm mixes with earths, as well as some subtle high hues, then this is an expense worth bearing.
Mercury compounds are to be treated with caution particularly in circumstances where children could come into contact with them.
£25.46 £20.37PR 177 Anthranaquinone. Slow Drying. Transparent. Good Lightfastness. High Linseed Oil Content.
Alizarin Claret has a lighter tone than that of Alizarin Crimson with greater resistance to UV light. Perfect for portraitures, landscapes and non-figurative works due to its versatility and beauty.
£25.46 £20.37PR 83. Slow Drying. Transparent. Good Lightfastness. High Oil Content.
This paints clarity and subtly beautiful bluish undertones are unique, and, since its introduction, portraitists have greatly prized its range of cool, rather smoky hues, so well suited for rendering facial flesh.
Amethyst is one of the newest colours form Michael Harding. It is a mixture of three well known colours ultramarine, quinacridone red and dioxazine violet pigments that produces an incredible hue.
£48.37 £38.69Y40. Average Drying. Transparent. Excellent Lightfastness. Average Oil Content.
A transparent straw-ochre yellow with strange yet rich greenish undertones.